Who Plays the Saxophone on the Movie Baby Boom
| Baby Smash | |
|---|---|
 Theatrical release affiche | |
| Directed by | Charles Shyer |
| Written by |
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| Produced past |
|
| Starring |
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| Cinematography | William A. Fraker |
| Edited by | Lynzee Klingman |
| Music past | Bill Conti |
| Production | United Artists |
| Distributed past | MGM/UA Communications Co. |
| Release dates |
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| Running time | 103 minutes |
| Country | United States |
| Language | English language |
| Budget | $fifteen one thousand thousand[1] |
| Box office | $26 million[2] |
Baby Nail is a 1987 American romantic comedy film directed by Charles Shyer, written by Nancy Meyers and Shyer, and produced by Meyers and Bruce A. Block for United Artists. Information technology stars Diane Keaton as a yuppie who discovers that a long-lost cousin has died, leaving her a xiv-month-old baby girl as inheritance.
The flick received generally favorable reviews and was a modest box-office success during its original run, eventually grossing $26 million. The film spawned a television series of the same name (1988–1989) and was nominated for ii Golden Globe Awards.
Plot [edit]
J. C. Wiatt is a driven Manhattan management consultant (nicknamed the "Tiger Lady") committed to her demanding and high-profile task. She lives with her beau Steven Buchner, an investment banker. They both are happily focused on their careers and take no involvement in having children. Notified that a afar cousin has died and left her a bequest, J.C. is shocked to find that her "inheritance" is the cousin's orphaned toddler, Elizabeth.
Unwilling to disrupt her hectic life and also clueless about childcare, J.C. arranges to give the child up for adoption, simply she grows attached to Elizabeth, forcing J.C. to re-evaluate her priorities. She decides to go a working parent and to raise Elizabeth herself, something Steven has no want to partake in. They amicably break upwards, and he moves out. J.C.'s boss, Fritz Curtis, offers her a chance to become a partner at the firm. CEO Hughes Larrabee is interested in having J.C. manage the business relationship of his major company, The Food Chain. Adjusting to life with Elizabeth, J.C. lands the account, and her protégé Ken Arrenberg is assigned to her team.
Struggling to balance her work and dwelling life, J.C. hires a series of nannies and enrolls Elizabeth in early evolution classes, equally parenthood soon occupies much of her time. When she discovers Ken making decisions without her input, J.C. tells Fritz she wants him off her team. To her surprise, Fritz informs her for the practiced of the company, Ken volition be in charge of the account and J.C. will be reassigned to a lower-contour client, allowing her to spend more time with Elizabeth. Postponing her promotion, Fritz explains that he too was forced to choose between his career and his family.
Humiliated, J.C. quits, and moves with Elizabeth to a farmhouse in Vermont. Purchasing the house without first having seen it in person or having information technology inspected, she finds information technology is riddled with problems (failing plumbing and heating, lack of water, bad roof). By winter, she is strapped with escalating repairs needed to her new domicile, running out of coin and patience, and overwhelmed with loneliness. On the brink of fiscal plummet, and suffering a nervous breakdown, she meets local veterinarian Dr. Jeff Cooper. At get-go annoyed by him, she is opposed to Jeff's overtures and is focused now on returning to New York as fast every bit possible. Finding a buyer for the house proves well-nigh impossible. She sees an opportunity to sell "gourmet" infant food absurdity she had concocted for Elizabeth from fresh ingredients. Later a rough start, it grows into a full-fledged concern called "Land Infant". Equally her business expands and orders kickoff pouring in from all over the state, J.C. and Jeff strike up a romance.
Afterward, Fritz reaches out to J.C. with an offer from The Food Chain to acquire Land Babe, and she returns to her former firm to meet with Larrabee and her old colleagues. They lay out the multi-million-dollar bargain to purchase her company and distribute its products nationwide, and offering her a lucrative bacon with a Manhattan apartment and other benefits. Set to accept and that she would be back into her original powerful and prestigious quondam life in corporate career of New York, J.C. has a change of heart and declines Fritz's offering. J.C. is confident she tin grow her company herself without having to sacrifice her human relationship with Elizabeth and Jeff. She returns home to Jeff and Elizabeth in Vermont, content with her new life as an active mother, girlfriend, and the CEO of her own burgeoning business.
Cast [edit]
- Diane Keaton as J.C. Wiatt[iii]
- Sam Shepard every bit Dr. Jeff Cooper
- Harold Ramis as Steven Buchner
- Sam Wanamaker every bit Fritz Curtis
- James Spader as Ken Arrenberg
- Jane Elliot equally Park Mom
- Pat Hingle as Hughes Larrabee
- Britt Leach as Verne Boone
- Annie Aureate as a Nanny
- Chris Noth as Yuppie Husband
- Linda Ellerbee as Narrator
- Kim Sebastian as Robin
- Mary Gross equally Charlotte Elkman
- Kristina & Michelle Kennedy as Elizabeth Alice Wiatt
- Victoria Jackson as Eve
- Benjamin Diskin as Ben
Production [edit]
The picture was shot on location in Los Angeles, New York Metropolis and Republic of peru, Vermont. Filming took place betwixt November 5, 1986, and February 3, 1987.
Reception [edit]
Box office [edit]
The film debuted at #iii at the domestic box part, behind Fatal Attraction and Hello Over again.[4] It earned a respectable USD$i,608,924 in its opening weekend in the U.S. and earned approximately $26,712,476 in its entire run.[5] [half dozen]
Critical response [edit]
On Rotten Tomatoes the film has an approving rating of 68% based on reviews from 44 critics, with an average rating of 6/10.[7] On Metacritic information technology has a score of 53% based on reviews from 9 critics, indicating "mixed or average reviews".[eight]
Janet Maslin of The New York Times said that the film "isn't much more a glorified sitcom, simply it'south funny, and it's liable to hit dwelling."[9] Kevin Thomas of the Los Angeles Times said that the filmmakers were "non agape to exist sophisticated and screwballish in the all-time '30s tradition, and they know simply how far to exaggerate for laughs without leaving affect with reality entirely or destroying sentiment. The sense of humour in Baby Boom is abrupt without being heartless."[ten] Roger Ebert gave the film iii out of four stars, stating that "all of [the film's storyline] is too good to be true, of course, but that's why I enjoyed information technology." "Babe Boom makes no attempt to show us real life. It is a fantasy about mothers and babies and sweetness and love, with only enough wicked comedy to give information technology an edge. The screenplay, written by producer Nancy Meyers and managing director Charles Shyer, has some of the same literate charm as their previous film, Irreconcilable Differences, and some of the same sly observation of a generation that wages an interior war between selfishness and good nature."[11]
Keaton's performance was singled out by Pauline Kael from The New Yorker, who described information technology as "a glorious comedy performance that rides over many of the inanities in this picture (...) Keaton is smashing: the Tiger Lady's having all this bulldoze is played for farce and Keaton keeps you lot warning to every shade of pride and panic the character feels. She's an ultra-feminine executive, a broad-eyed charmer, with a breathless ditziness that may remind you of Jean Arthur in The More the Merrier."[12]
Baby Nail 's writers combat a i-dimensional review in which American announcer, writer, and university professor Caryn James expresses her distaste in J.C. "carelessness[ing] a high-powered Manhattan career for the joys of life in Vermont with a babe and Sam Shepard." The commodity, published on August 13, 1989, past The New York Times, explains how J.C.'due south search for equality prompted her to leave her elite New York position. According to its writers, Infant Nail depicts "the increasing prejudice women face today" stereotyped into two categories – the sugariness caregiver or the cocky-reliant businesswoman – and aims to destroy that outdated mindset.[13]
Accolades [edit]
- Gold Globe for Best Actress in a Comedy or Musical - Diane Keaton (Nominated)
- Aureate Globe Best Motion Picture Comedy or Musical (Nominated)
- National Society of Film Critics Laurels for Best Actress - Diane Keaton (Nominated)
- American Comedy Awards Funniest Extra in a Motion Picture - Diane Keaton (Nominated)[14]
References [edit]
- ^ Larocca, Amy (September 11, 2015). "In Chat With Nancy Meyers". Vulture. Archived from the original on June eleven, 2017. Retrieved February 24, 2017.
- ^ "Baby Boom". Box Function Mojo . Retrieved February 24, 2017.
- ^ Jack Mathews (November 19, 1987). "He Wants to Add New Pages to UA's Illustrious History". Los Angeles Times . Retrieved July 4, 2012.
- ^ Voland, John (November x, 1987). "Weekend Box Office". Los Angeles Times . Retrieved July 4, 2012.
- ^ "Weekend Box Office". Los Angeles Times . Retrieved July 4, 2012.
- ^ John Voland (October 20, 1987). "Weekend Box Function". Los Angeles Times . Retrieved July 14, 2012.
- ^ Babe Blast at Rotten Tomatoes
- ^ "Baby Blast". Metacritic . Retrieved May 4, 2020.
- ^ Maslin, Janet (Oct seven, 1987). "Film: 'Babe Blast'". The New York Times . Retrieved April ten, 2018.
- ^ Thomas, Kevin (October 7, 1987). "Film Review : Satire That Lowers The 'Baby Nail'". Los Angeles Times . Retrieved July 4, 2012.
- ^ Ebert, Roger (October vii, 1987). "Infant Boom". RogerEbert.com. Ebert Digital LLC. Retrieved July 4, 2012.
- ^ Kael, Pauline (November 16, 1987). "Baby Boom". The New Yorker . Retrieved March 7, 2016.
- ^ James, Caryn (August xiii, 1989). "FEMINIST HEROINES; Women As Victims". The New York Times. ISSN 0362-4331. Retrieved December thirteen, 2017.
- ^ "Baby Blast (1987) Awards". IMDb . Retrieved May 31, 2017.
External links [edit]
- Baby Boom at IMDb
- Baby Blast at AllMovie
- Babe Boom at the TCM Movie Database
- Baby Boom at Box Office Mojo
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Source: https://en.wikipedia.org/wiki/Baby_Boom_(film)
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